No matter whether you want to attend one performance in a group of six or visit six performances on your own – our block of six tickets lets you do both!
No matter whether you want to attend one performance in a group of ten or visit ten performances on your own – our block of ten tickets lets you do both!
This year’s opening production whisks us off to the dream worlds of French theatre wizard Philippe Quesne. For steirischer herbst he digs his way under the surface of the earth, where he encounters a fantastic society.
Eternity and mortality between Orient and Occident: Together with Gustav Mahler and vibrating porcelain, two artists from Needcompany draft a new universe for a deliciously fragile choreography.
steirischer herbst is screening the latest film of Thailand’s internationally most important director Apichatpong Weerasethakul for the first time in Graz: A gentle masterpiece of dreamlike magic.
Projected consciousness: Apichatpong Weerasethakul’s first stage production is showing for the first time in the German-speaking region at the steirischer herbst festival.
Inspired by ritual dances Ingri Fiksdal and Jonas Corell Petersen search for new rituals with their high-calibre company – in a rhythmic narrative of choreography, live music and costume.
The end of the world in Greek: Blitz Theatre Group dances a surreal waltz of death over the ruins of Europe, brimming with subtle melancholy and a fine sense of humour.
Congolese-Austrian choreographer Elisabeth Bakambamba Tambwe takes a look at the gaze itself and confronts us with the question: Can you see without looking?
What is flight? What is home? What will the new face of Europe look like? With “Empire”, the final installment of his acclaimed European trilogy, Swiss director Milo Rau is presenting a piece at steirischer herbst for the first time.
Together with a large company, El Conde de Torrefiel projects fascinatingly uncanny images from the comfort zone of Europe: A young generation questions the future – in both senses.
How do we profit from debt? Can we somehow get rid of it? In an installative trail over several rooms, Julian Hetzel investigates the concept of debt. Strikingly and surprisingly, he demonstrates the different types of indulgence trade between beauty clinic and soap production.
Julian Hetzel donates money, and that is art! He explains his project on hunger and success in an entertaining lecture performance at steirischer herbst.
Performer and choreographer Philipp Gehmacher ventures into the realm of visual art, asking: Where do the things of the world come from? And how can we grasp them?
steirischer herbst 2016 does not only cross boundaries in the metaphorical sense. Not only is the border region in southern Styria artistically in focus – but culinarily too, as here, at an evening meal with an unusual blind date.
Orient and Occident meet in the personality of Aïsha Devi. The Nepalese Swiss singer let us hear her intense vocals, before New Yorker Dis Fig contrasts street culture with digital aesthetic.
Based on a mediaeval logic machine that can even “prove” God, musikprotokoll builds an interactive sound installation at Kunsthaus. Vokalensemble NOVA deploys the Llullophone in order to marry very old with very new music.
Every stone was once liquid, nothing in this world is rigid, everything is constantly changing shape, everything is in motion: This is what Gil Delindro points out in his art.
Whether in the guise of superheroines or castle damsels, Brigitta Bödenauer and Susanna Gartmayer constantly devise new approaches to music, by way of a surprising stage presence.
Eighty-five-year-old American Alvin Lucier scrutinises and challenges music’s individual elements until they reunite to form a new whole. For musikprotokoll he follows the movement of cellist Charles Curtis.
Musician and artist Deena Abdelwahed presents her award-winning radio art performance on the living conditions of Tunisian millennials at the musikprotokoll.